Anti-Petrarchan sonnets do not have a formal rhyme scheme. The sonnet even employs a different rhyme scheme. Sonnet A 14-line poem with a variable rhyme scheme originating in Italy and brought to England by Sir Thomas Wyatt and Henry Howard, earl of Surrey in the 16th century. Italian sonnet definition is - a sonnet consisting of an octave rhyming abba abba and a sestet rhyming in any of various patterns (such as cde cde or cdc dcd) —called also Petrarchan sonnet. Sonnets inspire singers to adapt poetry to song and movie-makers and TV writers to dramatize the classic form. This sonnet, Soleasi Nel Mio Cor, by Francesco Petrarca himself, father of the Petrarchan sonnet, examines the love of a beautiful woman. Literally a “little song,” the sonnet traditionally reflects upon a single sentiment, with a clarification or “turn” of thought in its concluding lines. The first eight lines, the octave, state a problem, ask a question, or express an emotional tension. The last six lines, the sestet, resolve the problem, answer the question, or relieve the tension. While both kinds of sonnets have 14 lines and are written in iambic pentameter, they differ notably in their form and focus. V. Sonnets in Pop Culture. Petrarchan sonnets are broken into an octave and a sestet with a rhyme scheme of abbaabba cdecde or abbaabba cdcdcd. The Petrarchan sonnet (also Petrarchanism or Petrarchian) is a verse form that typically refers to a concept of unattainable love.It was first developed by the Italian humanist and writer, Francesco Petrarca.Conventionally Petrarchan sonnets depict the addressed lady in hyperbolic terms and present her as a model of perfection and inspiration. Here are a few examples of sonnets in pop culture: Example 1 ‘Throughout the Sonnets, Barrett Browning deliberately invokes the Petrarchan sonnet tradition only to revise it according to her own historical moment.’ He was one of the most acclaimed poets of the Renaissance Period, and one of the key contributors of the modern Italian language. Both Petrarchan and Shakespearean sonnets initially enjoyed popularity in 16th-century England, and both forms have been appropriated by English writers throughout the centuries since. The Petrarchan sonnet characteristically treats its theme in two parts. Denoting a sonnet of the kind used by the Italian poet Petrarch, with an octave rhyming abbaabba, and a sestet typically rhyming cdcdcd or cdecde. The Petrarchan sonnet, also known as the Italian sonnet, is divided into an octave rhyming abbaabba and a sestet normally rhyming cdecde, and thus avoids the final couplet found in the English or ‘Shakespearean’ sonnet. 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